“Trusting the Light”by Jed Myers

Trusting the Light

 
Artists and tyrants have something in common.
This comes to me as I look at the moon
 
in its mute serenity above the street.
I just heard a dazzled part of me singing
 
Hey everyone, aren’t things looking up?
Even through the gun battles down here, bitter
 
winter creeping over from that other
hemisphere, across famine deserts,
 
in hospitals full of the shocked or weeping
amputees and psychotics—that kid,
 
the one who sees a squirrel or a peony
and dawdles before coming in from his chores,
 
that kid who is everywhere, soon a painter
or a despot fevered with the echo of lost beauty,
 
that kid who is any bloody fresh-born baby,
innocent as that bright dust that’s the moon,
 
he’ll be driven, hand to brush pen pistol,
his eye on the hillside light or on the ideal-
 
istic manifesto, a new ars
poetica, a color theory—it might be
 
the dream of Plato’s Republic on Earth
in the eye of a little Pol Pot looking out
 
to the sea on a summer day in Dover—
perfection, for a mountain of skulls.
 
The thought goes farther, luminous moon
in my eye: Could be the radiance first
 
seen on this kid’s mother’s brow he then seeks
and seeks. Ezra’s sweet apparition
 
on a platform in Paris—he sees the world
come clean of the Jews and their interest, never
 
mind the insensible smokestack stench
east in the distance. Beauty’s the quest!
 
Cezanne is painting the light off the cliffs—
he forgets the trees and the evidence
 
Officer Dreyfus was set up—
does the artist’s brush conduct this
 
ugliness? Must be a seam of such
innocence inside the hardness of Es
 
muss sein! And Friedrich finds such fine words
to propose the annihilation of the weak!   
 
But oh, little Friedrich, your mother is
indisposed. Don’t you weep.
 
I think, I’ll look at the moon till dawn,
the one moon Mao, Adolph, Saddam,
 
Claude, Vincent, and my children have watched—
moon that forever does not even listen—
 
and by its unknowing brightness, imagine
I might find the difference between
 
trusting the light and forcing the lost
dream of it onto the mess of this life.

Jed Myers is a Philadelphian living in Seattle. His poems have appeared in Prairie Schooner, Nimrod International Journal, Golden Handcuffs Review, qarrtsiluni, Atlanta Review, Quiddity, The Monarch Review, Palooka, Fugue, the Journal of the American Medical Association, the Rose Alley Press anthology Many Trails to the Summit, and elsewhere. By day he is a psychiatrist with a therapy practice and teaches at the University of Washington. By night he hosts the long-running open-mic cabaret NorthEndForum. He likes to weave poetry and music together, and sometimes does so with the ensemble Band of Poets.

“Eyes of the Fallen Men” by Jorge Valdes

Eyes of the Fallen Men

The eyes of the fallen man darkened and squinted – weepy.

The eyes of the quiet man, strong and bold; scared and stretched.

The woman that holds his hand; the beast that pumps his blood, faster than a disease. Her bosom is the last known smell of him, sweet flowers on a summer day.

The pressure is real, the yearn is real, living still, too still. You feel the hunger, the anger growing. You tell yourself to stop but its much too late.

You fear the thoughts in all those other men,

You also fear the yearn for how much you need her.

She tells you she wants you, you don’t believe, its too hard to believe. You see her eyes, they tell you kind words, they want you, and you feel its true.

But the fear is too big in your heart, and their lusty ways are habit in their heart, For those animals who want her, for those animals who got her, death is near for all.

Get what you want to get take her away from everyone. You wish for no one else to see her!

Powerless is man on this Earth, cold stone and salty waters, time makes all shapes.

No, one else can love you – taker her for yourself!

Because the eyes of the fallen man weep quiet rivers from dark caves.
The view from within, squints bruised visions from within the soul.

All they want is your woman’s hand in theirs.
Lose the battle for love, they betray anyway, the only thing you love away from all that is really you.

They will have taken those things that breed hope, Desires from the soul now belong in a grave for eternity. And with your love in mind you will always be with your beloved divine.

Jorge Baldomero Valdes Jr. was born in Lufkin, Texas, in August of 1984. Hisinterests have always been to observe the arts; to look at things and to ponder them for a while.He decided to write in 2007, and try to direct his ideas to that which is hard to feel; but felt when an epiphany is walked upon. He havs been published in 2012 by the Horrorzine’s anthology: A Feast of Frights! And a couple of poems during the Summer of 2011.

“The Cat in the Hat” by Mathias Jansson

The cat in the hat

The tree was green
and the cat was black
in which he sat
with a machine gun
ready for the attack

Alice fell with a questions mark
with three drops
of snow, shadows and death
painted in the sky

Why! Why! Why
Is my tea cold?
said the mad hatter
Does it matter?
Does it matter?
meowed the cat

Time is all we have
all we have
we have
echoed the hare
on the run back
to the paperback
hand in hand

with the cat in his hat

Mathias Jansson is a Swedish art critic and poet. He writes both horror poems and meta poems in the later he creates a dialogue with the history of literature and discuss the writing process. He has been published in Swedish magazine and English speaking magazines as SNM Horror Magazine; The Horror Zine; The Poetry Box. Homepage: www.janssonswebb.se

“The Culture of Crows” by Lynn McGee

The Culture of Crows

Crows keep their enemies close,
roosting deep within borders of human
habitat, peppering landfills, buzzing
traffic and dropping acorns, waiting
curbside, bustling with pedestrians,
claiming their snack.

The old maple’s branches are beaded
with crows, street lamp guarding
their sleep, and at sunup, young crows
tease rubber strips from windshield
wipers, their mother’s hot belly lowered
onto pulsing eggs, relatives bringing
French fries, popcorn and a snake soaked
in a bird feeder, head wagging like a toy.

Hunters leave crows’ corpses scabbing
the fields, and owls deliver swift
decapitation. Blue-black against an icy lake,
an old crow poaches fishing holes; beak
pulling, foot holding, cleverness charted
by researchers sweating behind ski masks,
crows known to pick a tormentor’s eyes,
nose and mouth from the crowd; diving,
shrieking, bringing back-up to shadow
their target’s miserable foray into the open—
or maybe it’s one of their own evoking
judgment, and sent tumbling from the sky,
community showing its other face
to the weak, the awkwardly
flapping, as the joyful, lethal
cloud descends.

Lynn McGee’s poems are in forthcoming or current issues of The American Poetry Review, Southern Poetry Review, 2 Bridges Review, Hawai’i Review, Bluestem, and The Same. Her poems also appear in recent issues of Tilt-a-Whirl, Big City Lit, Literary Mama and The New Guard; one poem a finalist and one a semi-finalist in the Knightville contest judged by former U.S. Poet Laureate Donald Hall. She was a 2011 Finalist with Honorable Mention in the Winning Writers War Poetry Contest, and a 2010
semi-finalist for the Dana Award. Her poetry chapbook, Bonanza, won the Slapering Hol national manuscript contest; she earned an MFA from Columbia, and lives in Brooklyn.

“I Cover My Ears” by Joe Miller

Innocent

I cover my ears
to muffle the sound
of blood that will not
be silenced.

Generations of souls
with no voice of their own.
Casual death
consuming their existence.

How many will it take
to fill the hole
in the stomach
of the masses?

Joe C Miller

Joe C Miller spent most of his life in the Midwest before moving to moving to the coast some 20 years ago. It is in the culture of Wilmington, NC and the coast that his artistic nature has been given the opportunity to blossom and flourish.His poetry has been published on at Word Salad, Clutching at Straws and Epiphany Arts. It has also appeared in Wilmington’s own “Bootleg” magazine as well as “Between the Lines” poetry festival chapbook. Anthologies in which he appears include “Gravity Hill” published by St. Andrews College Press and “Aries” a Southeastern Community College Publication.

“Give Us This Day Our Daily Worry” by Michael Meyerhofer

Give Us This Day Our Daily Worry

A woman fiddles with a radio dial and swerves
just enough to make ten children fatherless.

And for the rest of the week, I worry each time
you put on your silly red coat and go out

to return the videos or buy us a bag of tacos,
as though any second I’ll hear the sirens

of some impossible rescue across town,
maybe even feel that psychic pang of horror

we see in movies whenever a loved one dies.
I know it’s awful to write that I’ve been thinking

about a world that doesn’t have you in it,
though each time I panic and feel guilty for being

so morbid, you wander back into the coffee shop,
the bar, our apartment, and most especially

that corner of my brain where all the traffic
flows in your direction. So there’s no one

to complain when you show up late, all smiles,
and kick off your shoes like you own the place.

Michael Meyerhofer’s third book, Damnatio Memoriae, won the Brick Road Poetry Book Contest. His previous books are Blue Collar Eulogies (Steel Toe Books) and Leaving
Iowa
(winner of the Liam Rector First Book Award). He has also published five chapbooks and is the Poetry Editor of Atticus Review. He is also the author of a fantasy series, the first book forthcoming from Double Dragon Publishing in 2013. For more information, please visit troublewithhammers.com.

“CODA” by Jean Jones

CODA

The rest is a sleepwalk, a prelude to the final encounter,
the moment before the car crash,
before the bullet enters the victim’s body,
before the airplane hits ground,
before the bomb ignites at zero,
before that frozen moment in prepetual space,
that last speck in amber,
that moment of total consciousness,
the utter lack of faithlessness. . .
Fight it. Fight this sleep that stops you from taking in everything from living and from remembering.
Fight for every ounce and breath of life, even though most of your life
will be one long struggle to rid yourself of this curse of consciousness,
this consciousness Jean Paul Sartre was
so afraid of,
this life we want so badly to be rid of, and yet this life we’re so
afraid to
leave because it is all we know. Enjoy it, live it, revel in it,
because, my darling,
it has no more meaning than my eyes reflected back in yours, but oh how
we desire it. . .

Originally from Bandung, Indonesia, Jean Jones received a BA in English in 1986 from UNC-Wilmington, and an MFA in Creative Writing: Poetry in 1988 from Bowling Green State University in Bowling Green, Ohio. Jean currently teaches Basic Skills at Cape Fear Community College in Wilmington, North Carolina. He has had two books of poetry published by St. Andrews Press from St Andrews College, North Carolina; the most recent, Birds of Djakarta, was released in 2008.

“Perigee of the Moon” by Kristen Houghton

Perigee of the Moon

He buried them there with a whimpered prayer
At the Perigee of the Moon,
Beloved Wife and unnamed Child
Both wretched from his arms too soon,

He planted the flowers, he tilled the grass,
And prayed for the flowers to bloom,
And the Wind is their Breath that brushes his face,
At night as he lays on their Tomb,

“Oh Sweet Shade of Night, I show You no fright
For of You I would ask a boon,
Take my breath and twine with theirs,
Before the pregnant Moon,

Have mercy on the one who loves
And lies upon their Tomb !”

The apparition heeded his cry
Knowing to Live that he must Die,

We are Spirits together, she, my Child, and I,
‘Neath the sweetness of the Moon,
Apogee, Perigee, Powerful, Mystery, Lustrous and Shadowy Moon.

“Too soon, too soon, dead too soon.”

Kristen Houghton writes “nice little horror stories” guaranteed to make you check your locks and look under the bed before going to sleep.” Her book, Stolen Property- Tales of Terror, is in pre-publication. She is currently at work on the Catherine Harlow, Private Investigator series where her detective encounters plenty of horrors of her own. The first in the series is due to be published in late 2013.
Kristen is the former head writer and fiction editor of Mused Literary Magazine. Besides blogging for The Huffington Post, her portfolio includes a weekly column for the new, innovative TwoDayMag.com, writing for More Magazine, the San Francisco Examiner, and various other in print and online magazines. She also writes under the name CK Houghton.
Kristen Houghton, is the author of the following popular books:

No Woman Diets Alone – There’s Always a Man Behind Her Eating a Doughnut

And Then I’ll Be Happy! Stop Sabotaging Your Happiness and Put Your Own Life First

Remember, Hetty? (A YA Ghost Story)

A California girl at heart, she and her husband, Alan reside in the New York City area which is “magical”. For more about Kristen, her books and short stories, please visit www.kristenhoughton.com/

“To My Mother on her 90th Birthday” by R.S. Read

To My Mother on her 90th Birthday

Everyone who knows these old ladies grinning into the camera —
Silver hair, gleaming dentures, rhinestones —
Will soon be dead,
But my siblings persist with photos:
You and Loren, his lump hand on your shoulder.
Ethel May and Eula Bates hand you bottles of pink bath salts.
Patty Johnson gives a box of chocolates,
Cameras flash as if you were a Queen.

In the kitchen, I pile silverware, half-empty tea cups,
Dinner plates scaled in chocolate frosting
Knowing the photos will be forgotten in bureaus and shoeboxes
Mixed in with busty cheerleaders, red haired boys on tricycles, girls in wedding gowns,
Aunt Isabel in her blowsy pastel dress
That summer she poisoned the family on rhubarb pie.
But here in Arkansas’s summer heat wave
We conceal every doubt
And do our best to get it right.

You hurry us along saying, “Time for Dr. Phil”
While I circle the dining room popping balloons with a fork
Afraid any photograph will betray my heart
Where the chambers collapsed so long ago
Those years you moved us from house to house
To conceal our under achievements
As if you could make a Rambler into a Cadillac by switching hood ornaments
The era you surrendered to Lawrence Welk’s orthodentia
When my need for a mother’s touch slumped in darkness like a dying miner.

Only an ear to my heart can hear our voices from back then
Trapped in those chambers
Fighting for breath
Struggling to find some arrangement
To bring you back to life.

“Dawning of the Blackest Day” by Marc Nocerino

Dawning of the Blackest Day

“There it is, just up ahead. Can you see it, Eddie?”
He could. It looked like something out of a horror movie — flaking paint, tattered fence; but he trusted that Sam wouldn’t take him anywhere too bad for him.
In retrospect, it just looked like a crack-house.
“They got the best stuff, little bro. You’ll see.”
They picked up the pace. Eddie’s hands were shaking. He was scared, but he wanted his first taste; and he wanted it bad.

Are those trees? I can’t tell. Mommy, I’m sorry. Is that you, through the mist?

Eddie started hustling not long afterward.
It started out simple enough, the occasional panhandle or “hey mister” sob story. It was easy for people to believe that the ratty looking street kid was just a victim of circumstance. Who would believe that, in this small town, a thirteen year old was already addicted to crank?
No, it was easier for them to just give him a little extra, believing that his dad left and his mom had lost her job. And Eddie could turn on the waterworks like nobody’s business. When he would start to tear up and say, through sobs, that he and his mom had just lost their dog yesterday, when it slipped off its leash and got hit by a Greyhound? Forget about it, the money practically jumped out of the suckers’ purses and wallets. Of course, his mom (and dad, and older brother Sam, for that matter) were still living in their nice suburban home not two miles from where Eddie ran his scams to pay for his habit.
And believe me, he made enough not only to fund his habit; but to elevate it into an expensive one.
It couldn’t last forever, though. When Eddie was only fifteen, he looked in his mid-twenties; and people just don’t donate to adults. That’s when the fake crying ended and the real kind began. It hurt, it physically hurt, to go without the drugs.
It wasn’t long before he gave his first hand-job for a fiver. But snorting turned to smoking, and a fiver wasn’t enough anymore. So the handies gave way to blowjobs for a ‘twomp. When smoking turned to shooting, BJs turned into whatever would buy a fix.
But by nineteen he looked in his late thirties, and no one wants to fuck a washed-out junkie. The purses and wallets closed to him altogether. That’s when he started taking them.
Meth doesn’t pay for itself, after all.

I can see the way out; but it looks so far away…

“C’mon, gimme just a taste. You know I’m good for it.” Eddie’s pants were pooled around his ankles. D-Rock, his dealer for the last five years, just shook his head.
“You’re lucky I don’t kick your junkie ass. Put them fuckin’ pants back on, you tweaker piece of shit.” D-Rock’s grill glinted, and Eddie wondered how much he could pawn it for.
The fight was not fair.
D-Rock wasn’t getting high on his own supply, and Eddie’s attempt to rob a real criminal was just one in a long line of stupid decisions.

How did the nights get so black, and when did the days get just as dark?

Eddie couldn’t remember the last time he saw daylight. He lived in a world of shadow and streetlights.
When he could no longer avoid seeing them, despite the darkness, Eddie tried telling himself that the bruises on his legs and chest were from sleeping on hard ground and the occasional beating he’d taken living on the streets. But in the back of his mind, a little voice told him those were KS Lesions, and he knew what that meant. The voice sounded like Sam’s.

“Sam, is that you?”
Eddie couldn’t believe his eyes. Walking right across the street, in a button-up shirt and khakis, was his big brother Sam. How many years had it been since they’d seen each other? The guy across the street didn’t seem to notice, though, so Eddie called out again, louder.
“Sam! Hey! Over here,” but the man just kept walking.
These days, pretty much every guy walking by looked like Sam. And they all looked like the dad who had never actually walked out on anyone, despite the stories Eddie used to tell for a quick buck.

Sam? Dad? Mommy? Anybody? Please, help me. Help me to be free. I just need you to lead me…

Eddie’s family never even knew it when he died. Sam kept his mouth shut about getting his kid brother into drugs, and he never told his parents that he’d seen Eddie on that street corner, looking like Hell had already claimed him as one of its denizens.
Sam often wondered if he should have said something when Eddie called out to him that day.
But it was already too late for Eddie. His life had become a nightmare-painted broken dream, and he just couldn’t wake himself up from it.

I see you. I know you. You’re me — and I’m coming home.

One morning Eddie just failed to wake up. AIDS had eaten away all his defenses and the pneumonia finished what the drugs had started long ago.
In his dream the night before, as he lie freezing in the hoarfrost of a moonless November night, Eddie had seen himself standing on a pedestal over his prone body. Below him, a heavy mist crept through the wintry thicket where he lay, blanketing what he knew to be his own corpse lying there at his feet. At the edge of a copse of trees he made out a callow, peaked face. It lifted its nose and sniffed like a predator that had caught wind of a scent.
It smells me, Eddie thought, it smells the rot in my veins.
Finally free, Eddie thrust his hand into the air and it stretched impossibly upwards, penetrating some invisible skin as Eddie saw, for the first time in years, the light of a never-ending day just at the tips of his fingers

Marc Nocerino is a writer, musician, poet, armchair philosopher, libertine, mystic, and most recently; father. Marc was born and raised under the foggy canopy that blankets San Francisco, where he was first exposed to the exotic and profane elements that became a seminal influence on his creativity. He currently lives amid the tall pines of California’s Sierra-Nevada Foothills with his amazing wife and daughter.
 When not writing for pleasure, Marc spends his time doing a ridiculous amount of homework as well as working as Assistant Editor for She Never Slept, an online horror magazine where he also writes the occasional review. His work has previously been published at Penumbra Magazine and The Horror ‘Zine.