Lift Off 16 : textbook
(in this “book
I accept what
You, love, are
& our time
I still hurt
What the fook
else can be
And you are
Stephen Bett has had eighteen books of poetry published: Un/Wired (BlazeVOX Books, Buffalo, N.Y., 2016); The Gross & Fine Geography: New & Selected Poems (Salmon Poetry, Ireland, 2015); Those Godawful Streets of man: a book of raw wire in the city (BlazeVOX Books, Buffalo, N.Y., 2014); Journal for Breathing Arizona (Ekstasis Editions, Spring, 2014); Penny-Ante Poems (Ekstasis Editions, 2013); Sound Off: a book of jazz (Thistledown Press, 2013); Re-Positioning (Ekstasis Editions, 2011); Track This: a book of relationship (BlazeVOX Books, Buffalo, N.Y., 2010); SPLIT (Ekstasis Editions, 2009); Extreme Positions: the soft-porn industry Exposed (Spuyten Duyvil Books, NYC, 2009); Sass ’n Pass (Ekstasis Editions, 2008); Three Women (Ekstasis Editions, 2006); Nota Bene Poems: A Journey (Ekstasis Editions, 2005); Trader Poets (Frog Hollow Press, 2003); High-Maintenance (Ekstasis Editions, 2003); High Design Refit (Greenboathouse Books, 2002); Cruise Control (Ekstasis Editions, 1996); Lucy Kent and other poems(Longspoon Press, 1983).
His work has also appeared in well over 100 literary journals in Canada, the U.S., England, Australia, New Zealand, and Finland, as well as in four anthologies, and on radio.
His “personal papers” have been purchased by the Simon Fraser University Library, and are, on an ongoing basis, being archived in their “Contemporary Literature Collection” for current and future scholarly interest.
For reviews of his books, please see www.stephenbett.com
Stephen Bett is a widely and internationally published Canadian poet. His earlier work is known for its sassy, edgy, hip… caustic wit―indeed, for the askance look of the serious satirist… skewering what he calls the ‘vapid monoculture’ of our times. His more recent books have been called an incredible accomplishment for their authentic minimalist subtlety. Many are tightly sequenced book-length ‘serial’ poems, which allow for a rich echoing of cadence and image, building a wonderfully subtle, nuanced music.
Bett follows in the avant tradition of Don Allen’s New American Poets. Hence the mandate for Simon Fraser University’s “Contemporary Literature Collection” to purchase and archive his “personal papers” for scholarly use.